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Showing posts with the label monospace

[jihiw] Download HF Monorita fonts from HyFont Studio

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Download Now Server 1 Download Now Server 3 Download Now Server 2 HF Monorita is the first monospace we have created. It is perfect for coding, display and design. The subtle curves on the diagonal strokes create a friendly vibe and can create a better reading flow for the users. HF Monorita

[bxxejvyuyc] Download Codelia Fonts Family From Tabular Type Foundry

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Download Now Server 1 Download Now Server 3 Download Now Server 2 No matter if you’re professional or beginner, your work should be fun. And if you are a coder/programmer, your coding font should be something you enjoy looking for very long time. Square and crisp coding fonts might be easy on the pixels, but are they easy on your eyes? Do they keep you entertained at work? Codelia is a monospaced humanistic typeface designed for coding with focus on comfort and fun without sacrificing legibility or coding functionality. It’s fun but not a joke. Its round shapes are easier on the eyes and make the code look less intimidating. It is not designed to make maximum use of every pixel on screen, but to make you forget about pixels. The italic is full of personality but sober enough to not draw unnecessary attention. Codelia works great for coding, but also in presentati

Download Iverse Mono Fonts Family From Minor Praxis

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Download Now Server 1 Download Now Server 2 Download Now Server 3 Iverse is a monospace font that come with 2 (two) different type of styles, Regular and Bold. The sans serif based structure is clean and versatile and perfect for body copy and display. Suitable for codings, captions, description details, layouts, and posters. Download Iverse Mono Fonts Family From Minor Praxis Download Iverse Mono Fonts Family From Minor Praxis

Download Hex Braille Fonts Family From Echopraxium

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Download Hex Braille Fonts Family From Echopraxium This monospace font is to display braille in an original although in a rather "steganographic" way. Its glyphs are designed from a flat hexagon which can be read as 3 rows of 2 vertices (i.e. regular braille glyph grid). The initial design is illustrated by glyph 'ç' (no dot) and 'û' (6 dots) as illustrated by poster 5. HexBraille glyphs are connected to each other, so there are 6 connections for each (2 on left/right and 4 on top/bottom). A text using this font will display a lattice, not the honeycomb but instead it will show various patterns and the whole looks similar to a PCB. In the interline squares are frequent and diagonally there are unclosed "irregular convex octagons". For esthetical reasons, squares were favored over octagons. Note 1: It's also possible to frame the text with 2 sets of border glyphs: octagonal (€°£µ§¥~¢) and rectangular (èéêïîàâä), as illustrate

Download Typist Slab Fonts Family From VanderKeur

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Download Now Server 1 Download Now Server 3 Download Now Server 2 The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structur

Download Typist Code Fonts Family From VanderKeur

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Download Now Server 1 Download Now Server 3 Download Now Server 2 The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structur